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46 notecards = 12 pages (4 cards per page)

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Exercise 25: Special Senses - Hearing and Equilibrium

front 1

STRUCTURE COMPOSING THE EXTERNAL EAR

back 1

PINNA (AURICLE), EXTERNAL AUDITORY CANAL, TYMPANIC MEMBRANE

front 2

STRUCTURES COMPOSING THE INTERNAL EAR

back 2

COCHLEA, SEMICIRCULAR CANALS, VESTIBULE

front 3

COLLECTIVELY CALLED THE OSSICLES

back 3

INCUS (ANVIL), MALLEUS (HAMMER), STAPES (STIRRUP)

front 4

INVOLVED IN EQUALIZING THE PRESSURE IN THE MIDDLE EAR WITH ATMOSPHERIC PRESSURE

back 4

PHARYNGOTYMPANIC (AUDITORY) TUBE

front 5

VIBRATES AT THE SAME FREQUENCY AS SOUND WAVES HITTING IT; TRANSMITS THE VIBRATIONS TO THE OSSICLES

back 5

TYMPANIC MEMBRANE

front 6

CONTAIN RECEPTORS FOR THE SENSE OF BALANCE

back 6

VESTIBULE, SEMICIRCULAR CANALS

front 7

TRANSMITS THE VIBRATORY MOTION OF THE STIRRUP TO THE FLUID IN THE SCALA VESTIBULI OF THE INNER EAR

back 7

OVAL WINDOW

front 8

ACTS AS A PRESSURE RELIEF VALVE FOR THE INCREASED FLUID PRESSURE IN THE SCALA TYMPANI; BULGES INTO THE TYMPANIC CAVITY

back 8

ROUND WINDOW

front 9

PASSAGE BETWEEN THE THROAT AND THE TYMPANIC CAVITY

back 9

PHARYNGOTYMPANIC (AUDITORY) TUBE

front 10

FLUID CONTAINED WITHIN THE MEMBRANOUS LABYRINTH

back 10

ENDOLYMPH

front 11

FLUID CONTAINED WITHIN THE OSSEOUS LABYRINTH AND BATHING THE MEMBRANOUS LABYRINTH

back 11

PERILYMPH

front 12

back 12

front 13

Ok, so you’re using my notecards which is great. I am glad I could help you out cause I wish I had someone to help me out when I took this course. I know Anatomy is super hard.

back 13

I only ask that if you find these notecards helpful, you join Easy Notecards and create at least one notecard set to help others out. It can be for any subject or class. Thanks and don’t forget to rate my helpfulness!

front 14

SACS FOUND WITHIN THE VESTIBULE

back 14

UTRICLE, SACCULE

front 15

CONTAINS HE SPIRAL ORGAN (OF CORTI)

back 15

COCHLEAR DUCT

front 16

SITES OF THE MACULAE

back 16

UTRICLE, SACCULE

front 17

POSITIONED IN ALL SPATIAL PLANES

back 17

SEMICIRCULAR DUCTS

front 18

HAIR CELLS OF SPIRAL ORGAN (OF CORTI) REST ON THIS MEMBRANE

back 18

BASILAR MEMBRANE

front 19

GELATINOUS MEMBRANE OVERLYING THE HAIR CELLS OF THE SPIRAL ORGAN (OF CORTI)

back 19

TECTORIAL MEMBRANE

front 20

CONTAINS THE CRISTA AMPULLARIS

back 20

AMPULLA

front 21

FUNCTION IN STATIC EQUILIBRIUM

back 21

SACCULE, VESTIBULAR NERVE, OTOLITHS

front 22

FUNCTION IN DYNAMIC EQUILIBRIUM

back 22

AMPULLA, UTRICLE, CAPULA, VESTIBULAR NERVE

front 23

CARRIES AUDITORY INFORMATION TO THE BRAIN

back 23

COCHLEAR NERVE

front 24

GELATINOUS CAP OVERLYING HAIR CELLS OF THE CRISTA AMPULLARIS

back 24

CAPULA

front 25

GRAINS OF CALCIUM CARBONATE IN THE MACULAE

back 25

OTOLITHS

front 26

SOUND WAVES HITTING THE TYMPANIC MEMBRANE (EARDRUM) INITIATE ITS VIBRATORY MOTION. TRACE THE PATHWAY THROUGH WHICH VIBRATIONS AND FLUID CURRENTS ARE TRANSMITTED TO FINALLY STIMULATE THE HAIR CELLS IN THE SPIRAL ORGAN (OF CORTI).(NAME THE APPROPRIATE EAR STRUCTURES IN THEIR CORRECT SEQUENCE.)

back 26

TYMPANIC MEMBRANE -> MALLEUS -> INCUS -> STAPES -> OVAL WINDOW -> PERILYMPH -> VESTIBULAR MEMBRANE -> ENDOLYMPH -> HAIR CELL OF THE ORGAN OF CORTI.

front 27

DESCRIBE HOW SOUNDS OF DIFFERENT FREQUENCY (PITCH) ARE DIFFERENTIATED IN THE COCHLEA.

back 27

THE FREQUENCY IS DIFFERENTIATED BY THE LENGTH AND TENSION OF THE BASILAR MEMBRANE FIBERS. HIGH PITCH SOUNDS MAKE IT CLOSE TO OVAL WINDOW, LOW PITCH ARE FURTHER UP BASILAR MEMBRANE NEAR APEX OF COCHLEA. IT DEPENDS ALOT ON THE STRENGTH OF THE VIBRATION OF THE FLUID STIMULATING THE HAIR CELLS.

front 28

EXPLAIN THE ROLE OF THE ENDOLYMPH OF THE SEMICIRCULAR CANALS IN ACTIVATING THE RECEPTORS DURING ANGULAR MOTION.

back 28

ENDOLYMPH PUSHES CAPULA IN DIRECTION OPPOSITE TO THAT OF ANGULAR MOTION. THIS MOVEMENT DEPOLARIZES HAIR CELLS, RESULTING IN IMPULSE TRANSMISSION UP VESTIBULAR DIVISION OF CRANIAL NERVE VIII (8) TO THE BRAIN.

front 29

EXPLAIN THE ROLE OF THE OTOLITHS IN PERCEPTION OF STATIC EQUILIBRIUM (HEAD POSITION)

back 29

WHEN THE HEAD MOVES, OTOLITHS MOVE IN RESPONSE TO VARIATION IN GRAVITATIONAL PULL. AS THEY DEFLECT DIFFERENT HAIR CELLS, THEY HYPERPOLARIZE OR DEPOLARIZE HAIR CELLS AND MODIFY THE RATE OF IMPULSE TRANSMISSION ALONG VESTIBULAR NERVE.

front 30

WHEN THE TUNING FORK HANDLE WAS PRESSED ON YOUR FOREHEAD DURING THE WEBER TEST, WHERE DID THE SOUND SEEM TO ORIGINATE?

back 30

FROM THE SIDES OF THE TEMPLES

front 31

WHERE DID IT SEEM TO ORIGINATE WHEN ONE EAR WAS PLUGGED WITH COTTON?

back 31

SOUND WILL BE HEARD BETTER IN THE PLUGGED EAR BECAUSE THE UNPLUGGED EAR WILL BE SUBJECTED TO COMPETING NOISES FROM WHICH THE PLUGGED EAR IS SPARED

front 32

HOW DO SOUND WAVES REACH THE COCHLEA WHEN CONDUCTION DEAFNESS IS PRESENT?

back 32

THE COCHLEA IS FILLED WITH A LIQUID, WHICH MOVES IN RESPONSE TO THE VIBRATIONS COMING FROM THE MIDDLE SO IT FEELS THE VIBRATIONS

front 33

CAN RESULT FROM THE FUSION OF THE OSSICLES

back 33

CONDUCTION DEAFNESS

front 34

CAN RESULT FROM A LESION ON THE COCHLEAR NERVE

back 34

SENSORINEURAL DEAFNESS

front 35

SOUND HEARD IN ONE EAR BUT NOT IN THE OTHER DURING BONE AND AIR CONDUCTION

back 35

SENSORINEURAL DEAFNESS

front 36

CAN RESULT FROM OTITIS MEDIA

back 36

SENSORINEURAL DEAFNESS, CONDUCTION DEAFNESS

front 37

CAN RESULT FROM IMPACTED CERUMEN OR A PERFORATED EARDRUM

back 37

CONDUCTION DEAFNESS

front 38

CAN RESULT FROMA BLOOD CLOT IN THE AUDITORY CORTEX

back 38

SENSORINEURAL DEAFNESS

front 39

THE RINNE TEST EVALUATES AN INDIVIDUALS ABILITY TO HEAR SOUNDS CONDUCTED BY AIR OR BONE. WHICH IS MORE INDICATIVE OF NORMAL HEARING?

back 39

BONE

front 40

DEFINE NYSTAGMUS

back 40

THE INVOLUNTARY ROLLING OF THE EYES IN ANY DIRECTION OR THE TRAILING OF THE EYES SLOWLY IN ONE DIRECTION, FOLLOWED BY RAPID MOVEMENT IN OPPOSITE DIRECTION

front 41

DEFINE VERTIGO

back 41

SENSATION OF DIZZINESS AND ROTATIONAL MOVEMENT WHEN SUCH MOVEMENT IS NOT OCCURING OR HAS CEASED.

front 42

THE BARANY TEST INVESTIGATED THE EFFECT THAT ROTATORY ACCELERATION HAD ON THE SEMICIRCULAR CANCALS. EXPLAIN WHY THE SUBJECT STILL HAD THE SENSATION OF ROTATION IMMEDIATELY AFTER BEING STOPPED.

back 42

SUBJECT HAD A VIRAL LABYRINTHRINE DISORDER

front 43

WHAT IS THE USUAL REASON FOR CONDUCTING THE ROMBERG TEST?

back 43

TO DETERMINE OF PROPRIOCEPTIVE IMPULSES ARE BEING TRANSMITTED UP THE SPINAL CORD TO THE BRAIN PROPERLY

front 44

WAS THE DEGREE OF SWAY GREATER WITH THE EYES OPEN OR CLOSED? WHY?

back 44

CLOSED; YOU LOSE VISUAL REFERENCE POINTS

front 45

NORMAL BALANCE, OR EQUILIBRIUM, DEPENDS ON INPUT FROM A NUMBER OF SENSORY RECEPTORS. NAME THEM

back 45

VESTIBULAR RECEPTORS, VISUAL RECEPTORS, SOMATIC RECEPTORS

front 46

WHAT EFFECT DOES ALCOHOL CONSUMPTION HAVE ON BALANCE AND EQUILIBRIUM? EXPLAIN

back 46

ALCOHOL DEPRESSES THE NEURONS AND ENHANCES THE INHIBITION OF COORDINATION AND CAUSES A LOSS OF EQUILIBRIUM REFLEXES